Events curated and promoted by City Music Foundation.
The Ligeti Quartet are well-known for their inventive and engaging programming of contemporary music, and their latest invention is no less intriguing.
György Ligeti String Quartet No. 1, ‘Métamorphoses nocturnes’
Gregers Brinch String Quartet No. 1
Tanya Tagaq Sivunittinni (arr. Garchik)
John Zorn Cat O’Nine Tails
Alfred Schnittke String Quartet No. 3
‘Morphs and Magpies’ draws together 5 composers who share a similarly mischievous and resourceful approach to composition, as the Quartet’s first violinist, Mandhira de Saram explains:
‘We wanted to call it ‘Morphs and Magpies’ because most of these pieces borrow, thieve and transform! Schnittke quotes Beethoven’s Große Fuge, Lassus’s Stabat Mater, and uses the Shostakovich cypher “DSCH”; he then cleverly integrates these fragments by using them as the basis for the harmonic language and form.
Zorn uses oodles of quotes and when he’s not quoting, he’s borrowing from all manner of different composers, styles and genres: Paganini, Death Metal, even Looney Tunes music! Ligeti‘s 1st Quartet is a set of variations, and Tagaq, with the help of arranger Garchik, translates and then transforms Inuit throat singing into the string quartet medium.’
Some of the Quartet’s previous programmes include ‘Microcosms’ (focusing on the expressive power of miniatures), ‘Disapora’ (music that reflects on identity and belonging in the 20th century), and ‘Fellow Travellers’ (a juxtaposition of iconic 20th-century composers from America and Soviet Russia).
You can hear the first outing of ‘Morphs and Magpies’ on Saturday 17th February as part of the International Concert Series at Steiner Hall.
The quartet have been at the forefront of modern and contemporary music since their formation in 2010 and have established a reputation as one of the UK’s leading ensembles, breaking new ground through innovative programming and championing of today’s most exciting composers and artists.
“The Ligeti Quartet is one of the most important discoveries to be made in the performance of music in our time.” David Harrington (Kronos Quartet)
Having played at landmark venues around the world including Carnegie Hall, Curtis Institute, Wigmore Hall, Purcell Room, Barbican Hall, and Kings Place, the quartet also regularly escape the stage to appear at museums, galleries, theatres, pubs, an IMAX Theatre, a fishing boat, and on iceberg sculptures as part of a Greenpeace campaign. In October 2017 they were Fellows of the inaugural Barnes Ensemble Festival in Philadelphia.
They have commissioned many new works and have collaborated with artists from all types of musical backgrounds including Anna Meredith, Elliot Galvin, Kerry Andrew (Juice Vocal Ensemble, You Are Wolf), Laura Jurd, Meilyr Jones, Neil Hannon (The Divine Comedy), Seb Rochford (Polar Bear), Shabaka Hutchings (Sons of Kemet, The Comet is Coming), Shed 7 and Submotion Orchestra. They are currently working on a long-term project with Ernst von Siemens prize-winning composer Christian Mason to create a series of ‘Songbooks’ for string quartet, based on overtone singing traditions from around the world.
The Quartet are passionate about supporting emerging composers and taking new music to diverse audiences. As Ensemble in Residence at the Universities of both Sheffield and Cambridge, they regularly lead composition workshops, and undertake education and community outreach work. They took part in the Cheltenham Festival Composers Academy 2017, and are City Music Foundation Artists (2016-18).
Each year it is an enormous pleasure, as well as a huge challenge, for our judging panels to select the musicians for the CMF Artists Programme from the ever increasing number of exceptionally accomplished applicants.
This year we’ve selected four soloists and one ensemble, which include classical as well as jazz musicians with talents and interests across a range of genres.
We have already welcomed them to the CMF ‘family’ and are very much looking forward to working with them over the next two years to help identify and achieve some of their ambitions.
Dr Clare Taylor
City Music Foundation
Lotte Betts-Dean is an Australian mezzo-soprano based in London, whose performance experience encompasses opera, oratorio, contemporary music, art-song, chamber music, early music, and non-classical collaborations.
Before moving to London in 2014, she received a BMus from the Conservatorium of Music at Melbourne University (2012), completed a Fellowship at the Australian National Academy of Music (2014), and freelanced extensively throughout Australia with companies and ensembles including the Australian Chamber Orchestra, Victorian Opera and Sydney Chamber Opera.
In 2016 Lotte completed a Masters at the Royal Academy of Music studying under Catherine Benson and Audrey Hyland, and she has also studied at Accademia Teatro alla Scala Milan and at the 2016 Internationales Musikinstitut Darmstadt.
In the UK, Lotte has appeared at venues such as St John’s Smith Square, St-Martin-in-the-Fields, Colston Hall, Wigmore Hall and Handel House, and numerous festivals including Cheltenham, Norfolk, Dartington, Llandeilo Fawr, Oxford Lieder, and Buxton, where The Guardian praised her “irrepressible sense of drama, extraordinary self-assurance, unbroken sense of line and unmissable, urgent musicality”.
In 2017 she was a semi-finalist in both the “Das Lied” International Song Competition and the Wigmore Hall Song Competition, and won the 2017 Peter Hulsen Orchestral Song Award. Lotte is a member of new music group Ensemble x.y and is an Associate Artist of the Southbank Sinfonia.
Upcoming engagements in 2018 include Brett Dean’s Hamlet at the Adelaide Festival, an Australian tour with guitarist Andrey Lebedev, and a UK tour with Manchester Collective.
Formed in 2006, the Eblana String Trio consists of three committed chamber musicians, intent on performing the often-neglected string trio repertoire.
During their time at the Royal Northern College of Music the trio won all the major chamber music prizes, notably the 2010 RNCM Chamber Music Award and Audience Prize for their performance of Britten’s Phantasy Quartet with oboist David Curington.
The trio are regular visitors to concert series’ and festivals throughout the UK and beyond and are frequent collaborators with other instrumentalists and composers. Notable past appearances include performances at Wigmore Hall, St John’s Smith Square, Bridgewater Hall, Keele Concerts Society, Derby Chamber Music Society, Bollington Chamber Concerts, Holmes Chapel Music Society, MusikFest Goslar (Germany) and the North Norfolk, King’s Lynn, Stratford-upon-Avon and Salisbury Festivals.
The trio are fortunate to have received coaching from many eminent chamber musicians including Gabor Takacs-Nagy (Takacs Quartet), Hugh Maguire (Allegri Quartet), Robin Ireland (Lindsay Quartet), Petr Prause (Talich Quartet), and David Waterman (Endellion Quartet) whilst attending the International Musicians’ Seminar at Prussia Cove. The trio have also been invited on many occasions to participate in the European Chamber Music Academy, most recently studying with Christoph Richter (Heine Quartet), Peter Cropper (Lindsay Quartet) and Hatto Beyerle (Alban Berg Quartet).
From 2013 to 2015 the trio were Junior Fellows in Chamber Music at the Royal Birmingham Conservatoire, a post which encompassed performing, studying and teaching whilst acting as ambassadors for the Conservatoire. The trio are now visiting tutors in Chamber Music.
Alex Hitchcock is a London-born saxophonist and composer. As well as leading his own projects at venues such as Ronnie Scott’s, The Vortex, and The Royal Albert Hall, he plays as a sideman in various other bands including Resolution 88 and the Peter Whittingham Award-winning Patchwork Jazz Orchestra.
He has performed with, amongst others, Soweto Kinch, Laurence Cottle, John Hollenbeck, Stan Sulzmann, Dennis Rollins, Nick Smart, Art Themen, and Franco-Belgian duo André Charlier/Benoit Sourisse. He also programmes the regular Sunday night jazz series at the Green Note in Camden, including three sold-out gigs in the 2016 London Jazz Festival. He has worked as an ambassador for the National Youth Jazz Collective, and in 2015 worked with promoters Serious to produce concerts at Rich Mix through their Young & Serious programme.
His big band work includes the BBC Big Band, the Laurence Cottle Big Band, and the Andy Panayi Big Band, and studio recording ranges from work with Channel 4 and the BBC to Egyptian national television.
While studying English at Cambridge University, he was director of the Cambridge University Jazz Orchestra, touring to Istanbul and collaborating with celebrated flautist Gareth Lockrane. In 2016, he completed a postgraduate course at the Royal Academy of Music, studying with Iain Ballamy, Julian Siegel, Martin Speake, James Allsopp, Pete Churchill, and Barak Schmool.
As well as CMF, Alex is grateful to the Countess of Munster Musical Trust and Help Musicians UK for their support.
Welsh harpist Gwenllian Llyr is quickly gaining international recognition for her charismatic and engaging performances.
In July 2013, Gwenllian was a prize-winner at the USA International Harp Competition in Bloomington, where she was highly praised for her musicianship. She has also won many prizes more locally, including the Blue Ribbon at the 2012 National Eisteddfod of Wales, and First Prize at the 2010 London Camac Harp Competition.
Gwenllian graduated with First Class Honours from the Royal Welsh College of Music and Drama and has a Master of Music degree from The Juilliard School, where she was also awarded the William Schuman prize for outstanding achievement and leadership in music. She was later the first to complete an Advanced Diploma in Harp at the Royal Academy of Music in London.
Her career has taken her across the globe with performances in prestigious venues such as St. David’s Hall, Buckingham Palace, Carnegie Hall, and the Royal Albert Hall, and alongside renowned artists such as jazz legend Al Jarreau, pianist Imogen Cooper, and international opera singer Bryn Terfel.
Gwenllian is enjoying a busy and varied freelance career, including performing for the charity Live Music Now and teaching at King’s College, London and the Latymer Music Centre in North London.
Rokas Valuntonis is a Lithuanian pianist now based in London. He is a prize winner of more than 20 international piano competitions and has performed throughout Europe and in Japan.
Rokas began his formal training at the Panevėžys Conservatory of Music, before studying at the National M. K. Čiurlionis School of Arts and the Lithuanian Music and Theatre Academy. He subsequently left Lithuania to continue his development, first at the Sibelius Academy in Helsinki, and then with renowned pianist Eugen Indjic in Paris. He also received masterclasses from Jerome Lowenthal, Konstantin Papadaki, Denis Pascal, Petras Geniušas, and Mūza Rubackytė, and as of 2015, Rokas was invited to give an annual masterclass himself in Portugal.
Rokas has performed in all the major Lithuanian concert halls, as well as with orchestras such as the Lithuanian National Symphony Orchestra, Lithuanian Chamber Orchestra and Lund Symphony Orchestra, and with conductors including Olivier Grangean, Juozas Domarkas, and Vidmantas Kapučinskas. He has also performed in many other Baltic Countries, as well as in Spain, Denmark, Finland, France, Sweden, German, Portugal, Belgium, Austria, and Japan.
Amongst many competition awards, Rokas has won First Prize at both the Nordic Piano Competition in Malmö, Sweden (2010) and the International Music Competition “Societa Umanitaria” in Milan, Italy (2013).
For his achievements Rokas has been rewarded by the prestigious Queen Morta Award as well as acknowledgements by two Lithuanian Presidents.
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