Praised as a pianist of “huge intensity” (The Telegraph), Alexander Soares is developing a reputation as an artist of formidable technique and virtuosity, with performances of “diamond clarity and authority” (BBC Radio 3 ‘In Tune’).Read More
In 2015, his performance in the BBCSO / BBC Radio 3 ‘Boulez at 90’ celebrations received widespread critical acclaim in the press, described as a “brilliantly unbuttoned account” (The Sunday Times) and “most memorable of all” (The Financial Times). The 2014-15 season began with a BBC Radio 3 broadcast of the rarely heard piano repertoire of John Tavener, and included Alexander’s debuts at the Queen Elizabeth Hall and the Edinburgh Festival Fringe, the latter performance applauded for its “explosive sound world, pulling out a rich array of colour and texture” (The Herald). He was awarded 1st prize and Gold Medal in the prestigious Royal Overseas League Competition, and was subsequently selected as a 2015 Artist by City Music Foundation. 2016-17 highlights include returns to Wigmore Hall, St-Martin-in-the-fields, St. James’s Piccadilly, and Alexander’s debut in the USA.
Contemporary French repertoire forms a major part of Alexander’s programming. Since a U.K. première of Tristan Murail’s work in the BBCSO Total Immersion series, he has performed this repertoire in his debut recitals in the Royal Festival Hall, the Purcell Room, and the Bridgewater Hall. In 2014, he collaborated with Diego Masson performing Messiaen’s Des Canyons aux Étoiles in Milton Court Concert Hall. The following year, he performed Boulez’s Dérive with David Corkhill in LSO St. Luke’s. He will work with the renowned recording producer Andrew Keener in 2016, to record his first album of the solo works of Boulez, Dutilleux and Messiaen.
A keen chamber musician, Alexander has performed on numerous occasions in the Barbican, working with notable artists such as Boris Brovtsyn and Alexander Baillie. Collaborating with violinist Mihaela Martin, he debuted in Spain at the Palacio de Festivales, Sala Argenta. He has also toured France, in venues including Auditorium St. Germain and Opéra Rouen, performing Stravinsky’s Les Noces on Pleyel’s original double grand pianos, manufactured in the late nineteenth century. Alexander has greatly benefitted from the guidance of pianists including Richard Goode, Stephen Kovacevich, Stephen Hough, and Steven Osborne.
Alexander graduated with first class honours from Clare College, University of Cambridge. He then pursued postgraduate studies with Ronan O’Hora at the Guildhall School of Music & Drama, achieving a Master’s with Distinction. In 2015 he completed a doctorate investigating memorisation strategies for contemporary piano repertoire, under the supervision of Professor Daniel Leech-Wilkinson. He is most grateful for generous support from the Guildhall School Trust, Help Musicians UK, Countess of Munster Trust, Martin Musical Scholarship Foundation, Park Lane Group and Making Music.