About City Music Foundation

Turning talent into success

Our mission is to turn exceptional musical talent into professional success by equipping outstanding musicians with the tools, skills, experience, and networks they need to build and sustain rewarding and profitable careers.

Through an annual competitive audition process, we select classical soloists and chamber ensembles, as well as jazz, folk, and world musicians. These ‘CMF Artists’ then engage in an innovative two-year programme, which includes artistic and business mentoring, as well as professional development workshops. These workshops cover a range of topics such as managing finances, tax and pensions, legal input on copyright and contracts, plus presentation and interview skills, promotion and publicity strategies, and much more. We work with CMF Artists to develop professional promotional tools such as websites, photos, recordings, and videos, as well as providing help with commissioning and other projects to ensure that each musician develops a unique niche and selling point. We present CMF Artists in our own recital series and residencies and arrange performance opportunities at venues and festivals throughout the UK and beyond, as well as securing airtime on BBC Radio 3 and promotion through social media channels. Our key position in the City means that we can use our experience, knowledge and connections within the music industry, City institutions and the corporate world to provide unique and unrivaled support and education for our musicians. We believe that by investing in these talented musicians early in their professional careers we can not only secure their employment, but help to ensure the future of quality music in the UK and beyond.

Dr Clare Taylor

Managing Director

020 7600 7600


Clare is a co-founder of CMF (along with Sir Roger Gifford) and has been a Trustee since the beginning, before taking the helm in 2015.

Clare trained as a doctor at St Bartholomew’s Hospital Medical College and spent time in laboratory research obtaining a PhD at the Imperial Cancer Research Fund before going on to becomes a consultant haematologist and a Fellow of both the Royal College of Physicians and the Royal College of Pathologists. Before deciding on a career break to support Roger in his role in the City, Clare was a medical director with the UK blood services, and a consultant to the Medicines and Healthcare products Regulatory Agency, as well as holding an international role in Haemovigilance .

Alongside her medical career, Clare has been immersed in music all her life having musical parents and musical children. She sang with the choir of St Bartholomew the Great for many years, and with the Tallis Chamber Choir, as well as Collegium Musicum for whom she was a soloist in St John’s Smith Square. In 2000 she was a founder member and then a trustee of the Choir of the 21st Century.  She has sung under the baton of many conductors including Thomas Adès, Steuart Bedford, Martyn Brabbins, Hilary Davan Wetton, Mark Elder, John Gardner, Roy Goodman, Nikolaus Harnoncourt, Richard Hickox, Neeme Jarvi, Stephen Layton, John Lubbock, Charles Mackerras, Roger Norrington, Andrew Parrott, Jeffrey Tate, and Guy Woolfenden.

Clare is also a director of Ludlow Song and a trustee of Two Moors Festival. She is a liveryman of the Worshipful Society of Apothecaries and a freeman of the Worshipful Company of Gardeners. Clare has hugely enjoyed the opportunity to make this career change from medicine to music.


Latana Phoung

Artist Manager

020 7600 7600


Latana is CMF's latest recruit, joining CMF after three years as Assistant to the Head of Music at the Barbican.

Born in Paris to Algerian and Chinese parents, Latana Phoung trained as a mezzo-soprano at the Guildhall School of Music and Drama, where she studied under the tutelage of Prof. Laura Sarti and completed the intensive course with the National Opera Studio. Before moving to London, she completed a Master’s degree in Art History with distinctions at Sorbonne University/Freie Universität and was a chorister at the choir school of Radio France for eight years. She has worked with major conductors including Seiji Ozawa, Charles Dutoit, and Kent Nagano in Théâtre des Champs Elisées and Salle Pleyel, and has performed roles such as Gluck’s Orpheus, Bizet’s Carmen (Questor’s Theatre, London), and Mozart’s Marcellina (Actor’s Church, London). An experienced early music performer, Latana has taken solo parts in Lully’s Idylle sur Paix (with Christian Curnyn), Handel’s Messiah (with Andrew Watts), Spanish baroque songs (with Madrid Barroco Orchestra), and Monteverdi’s Eight Book of Madrigals (with Michel Laplénie). She has also performed at Wexford Opera House, Handel and Hendrix House, Château Clos Lucé, Purcell Room, Opera Studio of Geneva, and Baugé Opera. She is the founder of Musicanima Theatre, an opera & puppet company.

Whilst Assistant to the Head of Music at the Barbican (2016-2019), Latana was Programming Coordinator for the ECHO Rising Stars scheme and Production Manager for Tune in to Access, an initiative that worked with organisations to develop creative approaches to access in the Arts. Latana has a keen interest in widening access to classical music and has a firm belief that the Arts, particularly music and theatre, have the ability to transcend differences and communicate with everyone. In her spare time Latana is an avid Baroque dancer, performing with the Covent Garden Minuet Company.


Catherine Chapman

Communications and Events Officer

020 7600 7600


Cat joined CMF after working in the chief executive's office at the Arts Council and prior to that Cardiff School of Music.

Cat grew up in Somerset, near Glastonbury, art and music has always been at the heart of her family.

She trained as a mezzo-soprano at Bath Spa university, performing in roles such as Cherubino, 3rd Lady, Calliope and the lesser known Mauxilinda from Lampe’s the Dragon of Wantley. She attended masterclasses with Isabel Buchanan, Mary King, John Shirley Quirk and Felicity Lott.

She trained under Julie Woollard, Isabel Buchanan, Leah Marion Jones and Pierre-Maurice Barlier

She has preformed in China with The Shanghai Orchestra singing Carmen.

Catherine has also sung with Bath Camerata, Lucis, Wedmore Opera, The Welsh BBC Chorus and now the BBC London Symphony.

She has a deep love for folk music and has studied this subject intently and has recently completed the writing of her first folk album.

When not working, she is in avid theatre goer, cyclist and gin taster.




Dr Kate Gee

Kate Gee is a Psychologist and Research Fellow in Performance Science at the Royal College of Music (RCM) and an honorary Research Fellow at Imperial College London.

She has worked on the £1m AHRC funded HEartS project, exploring the impact of the arts and culture on health and wellbeing, from individual, social, and economic perspectives. She also taught Arts and Health and Research Methods and Ethics courses at the RCM.

Between 2013 – 2018 Kate spent five years as a Lecturer and Senior Lecturer at Canterbury Christ Church University, where she established the first cross-faculty undergraduate course in music psychology, whilst teaching research methods and postgraduate courses on critical perspectives on mental health and wellbeing. She also became program director for the UKs first part-time Psychology Conversion Course. Kate has supervised numerous PhD and MSc students.

Prior to lecturing she undertook postdoctoral research with the Sheffield Performer and Audience Research Centre, as well as working for the Sheffield Cognitive and Neuroimaging Laboratory within Academic Clinical Psychiatry.

Kate trained as a psychologist at the University of Sheffield, completing a BSc (2003), MSc in research methods (2005), and PhD in social psychology and music (2010). Kate’s PhD research was carried out under the tutelage of Prof Chris Spencer and Prof Stephanie Pitts, examining musical identities and portfolio careers in artists.

Her current research focusses on music-making, musicians’ careers (the nature of portfolio working), and wellbeing (particularly performance anxiety and perfectionism). She uses applied methodologies and lifespan, career, and social identity frameworks to understand musicians’ lives and work. She was a previous trustee for the British Association for Music Therapy.


Sir Roger Gifford

Roger is Head of SEB London and is a former Lord Mayor of the City of London (2012-13).

Born in St Andrews, Scotland and educated at Sedbergh School and Trinity College, Oxford, Roger began his career in the financial sector at S.G. Warburg & Co in the 1970s, joining the Nordic bank SEB in 1982.

Prior to his appointment as Head of SEB London, Roger worked in the capital markets in London and headed the bank’s operations in Japan for six years. He has been Chairman and is now Vice Chairman of the Association of Foreign Banks. His business interests lie in raising finance for companies in the global capital markets.

In 2004, Roger was elected as Alderman for the Ward of Cordwainer in the City of London. He is a member of the Worshipful Company of Musicians, as well as the International Bankers and the Cordwainers livery companies. He became the 685th Lord Mayor of the City of London in November 2012.

Roger is a Trustee of several charities as well as a patron for MyBnk. He is Chairman of the English Chamber Orchestra charity and Tenebrae Choir and is a trustee of the City Music Foundation, St Paul’s Cathedral Foundation and the Barbican Centre Trust. He was knighted in the 2014 New Year Honours for services to international business, culture and the City.


Sir Andrew Parmley

Andrew is Principal of the Harrodian School and a former Lord Mayor of the City London (2016-17).

He has been an elected Member of Common Council since 1992 and was elected Alderman of Vintry Ward in 2001 upon the retirement of Sir John Chalstrey. He has served on most of the Corporation’s committees and has been Chairman of both the City of London School for Girls and the Guildhall School of Music & Drama.

He is Principal at the Harrodian School in West London, Organist of Wren’s “lantern”, St James Garlickhythe, and a specialist in 17th-century French music.

He is a member of eight Livery Companies and was Master Musician in 2011-2012. He also supports several charities and is Chairman of the Montessori St Nicholas Charity.

Andrew was knighted in the 2018 New Year Honours for services to Music, Education and Civic Engagement.


Advisory Board

Mark Boleat, former Chairman of Policy for the City of London
Guy Harvey, Former Partner, Shepherd and Wedderburn
Wim Hautekiet, Managing Director, JP Morgan
Sir Nicholas Kenyon, Managing Director, Barbican Centre
Alastair King, Chairman, Naisbitt King Asset Management
Kathryn McDowell CBE, Managing Director, London Symphony Orchestra
Ian Ritchie, Artistic Director and Music Curator, Setubal Music Festival
Seb Scotney, Editor, London Jazz News
Philip Spencer, Development Consultant
Adrian Waddingham CBE, Former Partner, Barnett Waddingham



City Music Foundation is thankful to the following patrons who help us in our mission to support outstanding musical talent:

Alison BalsomIain BurnsideSimon Callow CBEJacqui DankworthAmy DicksonPlácido Domingo KBESally MatthewsJennifer PikeJoan Rodgers CBESimon Russell Beale CBESir Richard Stilgoe OBERoger VignolesBrodsky Quartet

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